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Washington, DC  ·  Est. 2007  ·  Twenty Years of Artistry

About Us

The story of two interconnected institutions — Ngoma Center for Dance and Dissonance Dance Theatre — built from the ground up in Washington, DC to serve Black and Brown artists, families, and communities.

01  ·  Dissonance Dance Theatre

Our Story

Named "One of the 11 small-but-mighty dance companies outside of LA and NYC" by Dance Spirit Magazine.

Dissonance Dance Theatre
Est. 2007 · Washington, DC
The Resident Ballet of Ngoma Center for Dance

Dissonance Dance Theatre

"Timeless Dance. Remixed."

Dissonance Dance Theatre (DDT) is a Washington, DC-based professional dance company founded in 2007 by Shawn Short. As the Resident Ballet of Ngoma Center for Dance, DDT is the only Black-managed, nationally recognized contemporary ballet company between New York City and Atlanta.

DDT presents innovative dance works rooted in the African American contemporary modern tradition — blending ballet, modern, and jazz with cultural storytelling. The company has performed in 9 states and 2 countries, earning recognition from Dance Spirit Magazine as one of America's essential small companies.

This season, DDT celebrates 20 years with three world premieres at the Publick Playhouse and Atlas Performing Arts Center — marking two decades of breaking barriers, developing artists, and centering Black concert dance in the nation's capital.

See the Season Audition Repertoire
02  ·  The Parent Organization

Ngoma Center for Dance

A 501(c)(3) nonprofit organization whose name — Ngoma (N-Go-mah) — comes from the Bantu word meaning "drum," representing the heartbeat of community.

"Building a culturally specific institution that serves Black and Brown communities — not by accommodating them, but by being built for them from the ground up."

Ngoma Center for Dance is a 501(c)(3) nonprofit organization whose mission is to cultivate equitable opportunities and creative career pathways through professional training, essential performance, and entrepreneurship development. As a vital bridge between multicultural dance artists and their communities, Ngoma fosters artistic excellence across generations and socioeconomic backgrounds.

Ngoma serves as the parent organization and home to Dissonance Dance Theatre, The Ngoma School, and a portfolio of programs designed to support artists, educate youth, and preserve the cultural legacy of Black concert dance in Washington, DC and beyond.

As a six-figure-budget organization founded in community, grounded in excellence, and built to last — Ngoma represents a new model for Black-led arts institutions: one that operates with the discipline of a professional company and the heart of a community organization.

Our Vision

To be a catalyst for equitable change in the dance industry by:

  • Presenting a performing dance company known locally, nationally, and internationally for artistic excellence in contemporary ballet and innovative dance works
  • Providing world-class dance education and professional development that creates pathways to creative entrepreneurship, particularly for underserved communities
  • Building sustainable community partnerships that expand access to dance training, performance opportunities, and arts administration careers for Black and Brown artists
  • Fostering the next generation of dance leaders through culturally responsive education, mentorship, and business development programs that strengthen the creative economy
  • Preserving and celebrating Black dance history while innovating new models for equitable arts ownership and representation
Founded
2012
Status
501(c)(3)
Location
Washington, DC
Ngoma Center for Dance
How We Are Structured
Ngoma Center for Dance is the 501(c)(3) parent organization — the legal, administrative, and fundraising home.

Dissonance Dance Theatre is the resident professional ballet company — the flagship artistic program.

The Ngoma School, Artist Incubator, FilmWorks, and community programs operate as program arms of Ngoma.
03  ·  What We Stand For

Our Values

Every design and communications decision flows from our foundational beliefs about culture, community, and the transformative power of Black concert dance.

Inclusion

Every program is designed with structural equity — not charitable accommodation. Belonging is built into how we operate, from tuition assistance to programming access.

Cultural Empowerment

We exist specifically to affirm Black and Brown identity — in every classroom, on every stage, and through every piece of programming.

Artistic Excellence

We hold ourselves and our artists to the highest standard — with world premieres, original scores, nationally recognized productions, and rigorous pre-professional training.

Community Engagement

Our work is not observed from a distance — it invites people in. Talkbacks, open rehearsals, school partnerships, and outreach are core to what we do.

Human Relations

Artists, families, and patrons are treated as peers — not audiences to be managed or demographics to be served.

Legacy & Permanence

We document, preserve, and build — because Black artistic culture deserves institutions that endure beyond any single season or leader.

11 Small-But-Mighty Companies· Dance Spirit Magazine· 501(c)(3) Nonprofit· Washington, DC· Est. 2007· 20 Years of Artistry· $2.8M Raised Since 2012· 14,000+ Patrons Served· 9 States + 2 Countries· NEFA National Dance Project· Atlas Performing Arts Center Resident· Publick Playhouse· 11 Small-But-Mighty Companies· Dance Spirit Magazine· 501(c)(3) Nonprofit· Washington, DC· Est. 2007· 20 Years of Artistry· $2.8M Raised Since 2012· 14,000+ Patrons Served· 9 States + 2 Countries· NEFA National Dance Project· Atlas Performing Arts Center Resident· Publick Playhouse·
04  ·  Leadership

Artistic Team

The people who build the work, develop the artists, and hold the vision.

Shawn Short, MFA
Principal Choreographer  ·  Founding Artistic Director
Shawn Short, MFA

Founding Artistic Director of both Ngoma Center for Dance and Dissonance Dance Theatre. Former Faculty, Washington Ballet. Former Soloist, El Teatro de Danza Contemporánea El Salvador. Bolton/Smith · KT Dance. Principal Choreographer & Fight Choreographer, Folger Theatre's Julius X. Post-Graduate Certificate in Business.

Full bio
Kareem B. Goodwin
Resident Choreographer
Kareem B. Goodwin

DDT Resident Choreographer and Guest Choreographer for Road of Angled Turns. Dallas Black Dance Theatre commission at Publick Playhouse. A trusted artistic voice in Ngoma's creative ecosystem, Kareem brings contemporary vision to the company's expanding repertoire.

Full bio
Chris Holland, MFA
Technical Director  ·  Lighting Designer
Chris Holland, MFA

Technical Director and Lighting Designer for all Ngoma Center and Dissonance Dance Theatre productions. Chris's lighting design has shaped the visual identity of DDT's performances across two decades of world premieres.

Full bio
05  ·  Where We Came From

Our History

From a single vision in Washington, DC to a nationally recognized institution — two decades in the making.

2007
Dissonance Dance Theatre Founded

Shawn Short founds Dissonance Dance Theatre in Washington, DC with a mission to center Black concert dance in the nation's capital. The company presents its first season, establishing a new voice in the DC dance community.

2010
DDT Premieres in New York City

Dissonance Dance Theatre premieres in New York City at Brooklyn Arts Exchange, marking the company's first major out-of-market presentation and signaling its arrival on the national dance scene.

2012
Ngoma Center for Dance Established

Ngoma Center for Dance is incorporated as a 501(c)(3) nonprofit, providing DDT with an institutional home and launching community programming, youth education, and artist development programs across the DMV.

2015
Dance Spirit Recognition

Dance Spirit Magazine names DDT one of "11 small-but-mighty dance companies outside of LA and NYC" — placing the company in national conversation alongside the most respected emerging companies in American dance.

2017
United States Conference on AIDS

DDT Principal Choreographer Shawn Short collaborates with Super Bowl Choreographer Cynthia Margeaux and dancers during the United States Conference on AIDS 2017, bringing dance to one of the nation's most significant public health platforms.

2018
Jazz at Lincoln Center — New York City

Dissonance Dance Theatre performs at the Appel Room at Jazz at Lincoln Center — one of New York City's most prestigious performance venues — bringing DDT's contemporary ballet vision to a landmark national stage.

2019
Black Dance Festival DMV

Ngoma organizes the inaugural Black Dance Festival DMV — the first regional festival of its kind in the DC metro area, celebrating the full spectrum of Black concert dance tradition and innovation.

2020
Kimmel Center — Philadelphia

Dissonance Dance Theatre premieres in Philadelphia at the Kimmel Center during the International Association of Black Dance Conference 2020, performing alongside the nation's leading Black dance companies.

2022
Netflix — The Queen's Ball: A Bridgerton Experience

DDT Founding Producing Director Shawn Short works with Netflix to cast The Queen's Ball: A Bridgerton Experience. DDT dancer Daniel Moore is selected, bringing Ngoma's artist development work directly to one of streaming's most celebrated productions.

2024
Folger Theatre — Julius X

Shawn Short serves as Principal Choreographer and Fight Choreographer for Folger Theatre's Julius X — a reimagining of Julius Caesar set in contemporary Washington, DC, bringing DDT's movement language to one of the city's most prestigious stages.

2026
20th Anniversary Season

DDT marks twenty years with three world premieres — Through the Dark, The Light Beckons at Publick Playhouse, Until Love Comes Knockin' at Atlas Performing Arts Center, and Road of Angled Turns — a NEFA National Dance Project touring production co-choreographed with Kareem B. Goodwin with an original score by Michael Simmons.

Our Alumni

Where our artists go

DDT alumni have gone on to perform with some of the world's most recognized dance companies. Their careers are proof of the caliber of artist development that happens inside Ngoma's walls — and a testament to the standard set by Shawn Short and the DDT creative team.

Meet the Company
Kameron N. Saunders
English National Ballet
Daniel Moore
Complexions Contemporary Ballet · Netflix
Prentice Witlowe
Phoenix Dance Theatre (UK)
Kelly Trevlyn
Momix
Victor Lewis Jr.
UniverSoul Circus · Philadanco
Caitlin Granville
Virginia Ballet Theatre
06  ·  Since 2012

Our Impact

$2.8M
Raised in philanthropic support since 2012
14K+
Patrons and participants served across all programs
9
States reached — plus Canada and Kenya internationally
20
Years of DDT artistry and world premieres